(GB) Vocals/Guitar
What a woman and what a singer! Suzanne has a voice 
(and a character!) that should make her famous, and never fails to astound everyone who hears her sing. Whether its a slow folk ballad or a raunchy blues, Suzanne has a gobsmacking range of tone, emotion and raw power that often results in goose pimples for the listener. It comes from pure natural talent and is so original that no amount of vocal training could ever reproduce Suzannes earthy, sensual sound.
Suzanne was born in 1964 in Mansfield Nottinghamshire, (“Ay up ducks”) to a background of coal mining and greyund racing. Her early musical inspirations came from her family. Grandad, although no crooner himself, was a fan of Al Jolson, her father would sing Johnny Cash and Elvis songs around the house, her mother
couldn’t sing for toffee but played the piano rather well. At the age of 6 Suzanne started rattling the ivory herself, taking formal lessons in which she eventually reached grade 7. Her piano tutor, Mrs Timmons, also liked to listen to young Suzanne sing. The old films and musicals from the 1920s to the 1960s were a big influence for Suzanne, the songs were osmotically absorbed and Suzanne would effortlessly sing them all. Mario Lanza and Barbara Streisand were particular favourites. Her talent didn’t go unnoticed and she was recruited for the school choir, which toured the country performing in choir competitions. Highlights included Latin hits such as ‘Ave Maria’ and ‘Panus Angelicus’, and a trio number called ‘Three little maids from school’.
Her parents were big fans of Country and Western music, and every
year would gallop off to Pontins for Country and Western week, trailing young Suzanne and younger brother Gary along with the the posse. This was seen as totally uncool for a teenager in the late 70’s (unless it was the Wild West in the 1870’s!). Although she stubbornly snubbed the stetson and spurs, Suzanne quite liked some of the music, especially songs like ‘coalminers daughter’ (she was one!), and the bluesier side of C&W. Suzanne and Gary, like any normal teenagers, were into the pop music of the 80’s and could sing the top 20 backwards. Bands such as ‘Blondie’, ‘The Eurythmics’, and ‘Adam and his Ants’ were favourites in the Mansfield clubs and discos’ where you daren’t mention Country & Western!…………. Folk music was unheard of!!
In 1982 Suzanne left school and home to study the male dominated art of Technical Illustration at Blackpool College on a four year HND course. The ‘Hard mans’ town of Mansfield had taught Suzanne to be fiercely independant, and she could draw bevelled gearwheels with the best of them. To supplement her meagre college grant and to pay the rent, she took a job in ‘Johns’ fish & chip shop’ (where it’s rumoured that old ladies were made to eat battered sausages seductively to earn an extra portion of batter bits). Very Blackpool! Besides the pop
music of the day, Suzannes eccentric musical tastes extended into the realm of the blues, major influences being female singers such as Billie Holiday and Judy Garland (post Wizard of Oz!). Folk music had always been seen as ‘naff’ and ‘wimpy’ in Suzannes’ book, but the folk singer Sandy Denny opened unexpected doors.
After sucessfully gaining her HND, Suzanne became a professional Technical Illustrator, taking an apprenticeship with Rolls Royce for a few months before a report came from college mates that there was Illustrating-a-plenty to do across the channel and over the Rhine, so with her rotring pens, ellipse-templates and a sense of adventure, off she went, starting out in the little town of Salgau, moving eastwards to Augsburg, and finally landing in München, and here she is!
Suzanne teamed up with Paul through the English
T.I. scene in Munich, sharing an interest in eccentric musical tastes and sechskantschrauben. She is THE knowledge on films old and new, classic English comedy and ‘Eastenders’ (?), an expert on fish & chips, Bacardi and Coke, medieval English history, and any game she decides to have a go at, and quite a talent in general crafts to boot. Besides the Biscuits, Suzanne has sung with The Huckleberry 5, Paddy Whack and rock band Tuesday Bluesday. She still works as a freelance Technical Illustrator, but would gladly give it up for fame and fortune, however her bevelled gears are the best you’ll find this side of the alps!
By the way, Suzanne is now the proud mother of twins! See News page…
natic after all these years. He claims Rolf Harris as one of his earliest musical influences, (but rumour has it that his first LP was Pinky & Perky!). The late sixties and early seventies kiddies TV shows, 
– an electric guitar to make all those ‘Kerraaaangwoowoowaaaah’ noises popular (or not!) throughout the seventies. With the help of his father (watchmaker and DIY genius) and ‘Everyday electronics’ magazine, he built his first electric guitar, a ‘Delta’ ‘V’ shaped instrument that did the job. Mum & Dad were to have little peace from that moment on.
ew-age/punk ‘edge’, and the Cornish ‘scene’ in the 80s’ was in its heyday. Music, Art, Festivals, and all of the zany events, characters and substances that go with it, only helped prolong Pauls’ ‘idyllic’ childhood.
was homesick for Cornwall anyway and found that the place was still “buzzin”, however, fate springs its surprises and a job opportunity came up… in Munich Germany, Paul wasn’t that keen on the idea of leaving Cornwall once again, but it would have been folly to refuse, and in November 87 ‘Ein neues leben’ beckoned.
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music sessions going on in the house every night, with musicians from far and wide dropping by for some crack at the O’Tuamas’. Harpists, fiddlers, pipers and seanós singers, and of course whistle players! International guests such as Heinz Becker (no relation to Boris) a German who played the saw, often paid a visit when he was in town and joined in the merriment. When there was a break from the sessions, there was always music in the house as his parents had a vast LP collection of classical music. Colm himself began tooting the tin whistle at the age of 11, encouraged by his brothers and sisters who were already diddlin’ out on traditional music.
As a boy Colm was a “normal straight kid” (what happened???), into Football, hurling and western films, in particular John Wayne films, all good wholesome stuff, and went to a school run by the notorious catholic Christian Brothers. Until he was old enough to get into pubs, Colm concentrated his interest in football. Not quite hot enough for midfield, he was favoured for goalkeeper and allegedly made some cracking saves!
rgent used in washing cars, (he had to do that as well) was playing havoc with his skin.
voking the archbishop of Dublin to have a word with him about it!
day in the midwest in 1956. His family repeatedly moved from one place to the next because of his fathers’ job. When Jim was 9 they finally stayed in one place for more than a couple of years, Long Island, New York. The Beatles cartoons and the Monkees TV shows were at that time on television, and turned Jim on to the wonderful world of music.
mother and father played the piano and organ respectively and at the age of 10 Jim took up playing the trumpet, becoming the first among his siblings to play an instrument and he blew it for 3 years, (Herb Alpert & the Tijuana Brass!).
disappointments, he dropped out of college and treked off to Europe with musical buddys’ Steve Stress, a talented multi-instrumentalist who had studied Indian classical music, and singer Sabine Bass. This was the time of groups such as Oregon and Weather Report and the stupid phrase “World Music” had yet to be coined (although groups like these started it all!). Together they busked their way around Europe playing Country, Bluegrass and Django Reinhardt on the streets. Eventually they ended up in Switzerland where they got a lot of gigs. Jim lived there for a time and has continued to play there on and off for years. In 1980 he settled in Munich after splitting up with the original
group, meeting many new people, including his now ex-wife Marie-Jo.